Add date: 2012-02-10
In Julie Taymor's version of 'The Tempest,' the main character is now a woman named Prospera. Going back to the 16th or 17th century, women practicing the magical arts of alchemy were often convicted of witchcraft. In Taymor's version, Prospera is usurped by her brother and sent off with her four-year daughter on a ship. She ends up on an island; it's a tabula rasa: no society, so the mother figure becomes a father figure to Miranda. This leads to the power struggle and balance between Caliban...
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Will, a poor player who bears an uncanny resemblance to Shakespeare, auditions on stage in front of Peter, a busy producer with his nose in the trade papers, hardly noticing Will's extraordinary performance. Will, using the prop of a life-sized doll and changing costumes with magical speed, acts out brief scenes at the heart of Romeo and Juliet, Richard III, As You Like It, Hamlet, Antony and Cleopatra, Othello, Titus Andronicus, Merry Wives, the Tempest, the Winter's Tale, and other of the Bard's plays. It's an infinite variety show, and finally Peter's attention is on Will. What will the producer say when Will finishes?
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